Drawing III
September 21st,
2018
Samantha Chilelli
Mark
Powell
Mark Powell is a ball point pen
artist from London. He focuses mostly on making large portraits and even
sometimes birds on different types of antique documents. The portrait below
shows the image of an older man in black ball point pen. It is placed on
national geographic prints from new papers. He tends to mostly paint older
people and it appears very well on the papers he chooses. He also pays a lot of
detail to the emotions he is trying to depict. The prints he chooses bring a
sense of history to his drawings. Mark says “A face that is devoid of a clear
emotion gives an ambiguity that is simple and intriguing, it shows the signs in
scars of travel and an uncontrolled gaze; a life lived. The canvas of vintage
envelopes holds the same qualities, travel scarred and mysterious.” When asked
about why he uses vintage documents as his canvas he says “If there’s a
headline I want to know a general idea of what’s going on so I can match the
drawing.” The amount of details in his art work is intense. And I personally
really like the fact that he does this on different types of material because
it just makes it all that more interesting to look at.
"A face that is devoid of a clear emotion gives an ambiguity that is simple and intriguing, it shows the signs in scars of travel and an uncontrolled gaze; a life lived."
ReplyDeleteI think this quote is matched in the drawing you posted. Even though I can't see this person's entire face anyway. I think that the ambiguity asks the viewer to read more into what this person is feeling or may have felt in the past. In this case, I'm not focused on the man's wrinkles in particular but moreso on his exposed eye, and what type of feeling that communicates to me.
It would have been helpful to see more of his work in this post but I'll have to hop on Google.
I'm intrigued by the different types of material that Powlle uses in his works and how he tries to unify the materials and the subject. There is also an interesting juxtaposition of the fact that the street uses a relatively cheep and even sometimes undervalued drawing utensil with something that is old and unwanted as newspapers and envelopes. There is an element of the art speaking the truth just in the fact that the materials are so raw and reliable to the storage person. Not always can the average view see the way this paint was applied to a painting, but practically everyone has used a ball point pen to doodle.
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